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It's in A minor. I changed the harmonic thirds in measures 7 and 13 to single notes for better voice leading. I also changed the 2nd-inversion A minor arpeggio in measure 10 to root position (A in the bass) because the 2nd inversion was a weak harmonic change and further weakened by the dominant-function harmony resolving to the subdominant in measure 11. Again, better voice leading prompted me to change the pickup into measure 17 high g-e, to "A-B" on string 5. I also changed the pickup into the last section to "a-g" on string 3. I changed the notes in measure 28 to be "d-b-g-f-d" instead of "d'b'g'D'G". The final cadence is changed to a G# in the bass, which resolves to A-C-E-A on strings 6,5,4, and 3.
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